Euphonix MC Controller, System 5-MC Console
By Barry Rudolph
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The MC Media Application Controller and System 5-MC represent Euphonix's vision of the future of audio/video production control. That future is already here with the workstation operator confronted with modern media production's reliance on multiple computers, different operating systems and many different applications running concurrently to complete a masterwork. A project could require: Final Cut Pro for editing picture; a Pro Tools HD DAW for recording and assembling ADR and Foley stems; Logic Pro or Digital Performer for MIDI sequencing; and Nuendo 3 for editing and mixing the final surround sound master.
Both the MC and System 5-MC offer efficient, seamless and simultaneous control of multiple DAWs and video applications running on both MACs and PCs with full high resolution metering, EQ and pan graphical curve displays, and real-time plug-in and automation interactivity. Communication between computers/applications and the MC and System 5-MC is accomplished over only a single high-speed Ethernet network and Euphonix's EuCon protocol. Existing owners of System 5 P/F mixing consoles can upgrade with EuCon connectivity to any workstation by the end of the first quarter of 2006.
The high-speed EuCon control protocol is integrated into (so far) Steinberg's Nuendo 3.1 (or higher), Merging Technologies' Pyramix by way of their OASIS protocol and Digital Audio Denmark's product line including the eight-channel AX24 mic pre-amp.
For non-EuCon applications such as Pro Tools, Logic Pro, Digital Performer and Final Cut Pro, the HUI, Mackie Control protocol (over Ethernet) along with keyboard macros for the MC's 56 SmartSwitches are used.
THE MIGHTY MC
The MC's layout is modular: Each section has a Setup button that immediately shows that section's status and configuration on a compact 1,024 X 768 touchscreen for directly programming the control surface. The screen shows each networked workstation's setup; file management; system setup, preferences, track selection and management; flip or the swapping of System 5-MC faders and knobs; and soft-key setup for function assign and keyboard assign to SmartSwitches. The touchscreen also allows naming, storing, recalling and deleting Edit Control banks, soft-key banks, user sets and application sets. You can also set up preset layouts to control and assign tracks.
The MC offers four levels for controlling all apps and computers: a QWERTY keyboard, SmartSwitches for programmable keystrokes, HUI and Mackie Control command protocol over Ethernet and high-speed network control of EuCon-aware apps. The full-sized QWERTY keyboard is flanked on the left and right by two identical edit control modules each with identical, four-button Kensington jog wheel/trackball assemblies. Dual trackballs can be used or either ball swapped out for a jog wheel insert. Simply exchanging the trackball with a jog wheel accommodates both left and right-handed operators--right-handed people usually have the jog wheel on the left and the trackball on the right.
Each SmartSwitch button has a backlit LCD window with the name and/or designated icon describing its function. You can control the window's color, font size and style, or develop your own icon library in any bit-mapping application. Each control module is augmented by 16 SmartSwitches--10 directly above the jog wheel or trackball inserts and six more to either side. I found that this simple-to-learn, intuitive arrangement was also easy on my carpal tunnels.
An efficient and basic setup (which comes with the MC) for right-handed person would be: on the left side would be the jog wheel and the 16 SmartSwitches programmed and associated with jogging and editing commands such as zoom, grid size, fade in/out, slip etc. Then on the trackball right side the 16 switches would be programmed with transport and locate commands like play, return to zero, go to locate position etc.
Six more banks of 24 SmartSwitches above the keyboard are used for all other key commands. Each bank can also have a sub-bank for nearly limitless functionality. You can map any of these switches and store them in Application sets. Also, any switch can be "locked" so that it always performs the same function no matter which application is onscreen. This locking feature is ideal for a EuCon-controlled DAW's transport controls.
The MC comes with a large number of pre-built Application sets. (Download more at www.euphonix.com.) You can modify these and re-save them as your own personal set that travels with you; they can be stored externally to a USB Flash drive.
HUI AND MACKIE CONTROL
The high-speed connection allows for real-time, high-resolution, multiformat metering and for both pan and EQ graphical displays on the System 5-MC's 1,024 X 768 TFT channel screens. Furthermore, the edit/jog/shuttle wheel can be used for real-time trim head/tail, fade head/tail, position, zooming, clip gain, slip and more. Full live adjustment (with no latency) of your favorite plug-ins inserted into channel strips is also a reality.
The MC stand-alone has a section fitted with four assignable faders that are identical to those on the System 5-MC. These faders control track levels in both EuCon and HUI applications. Just as in the System 5-MC, there are Solo, Mute, Select, Record keys and read/write automation switches. LED meters indicate input level to that fader. Nudge and Bank buttons move these four faders down the tracks in your session. All track faders have the Euphonix Wave key--a button with the Euphonix logo on it. When pushed, it causes that track to become "in focus"--in the center of the LCD screen with all applicable editing SmartSwitches and touch screen ready for your input.
STUDIO MONITOR PRO
A popular configuration is two CM408Ts on either side of the MC for a total of 32 channel strips. Frame width sizes are: 16 faders would be five feet, 32 faders runs seven feet, and 48 faders at nine feet. Other customized frame options are: angled sections, speaker shelves, script trays and a producer's tables with built-in monitors. In the System 5-MC's frame, space for up to a 30-inch flat panel (user's choice) DVI monitor is allowed and I like that the screen and Vesa mount are recessed down well below the sight line of the center-channel monitor speaker.
System 5-MC strips are compatible with existing standard System 5 consoles including moving faders, eight touch sensitive knobs and TFT displays. Cosmetic differences from System 5 include a higher resolution channel TFT and thinner knobs with LED display rings rather than the 'Fat' knobs used previously.
[Note: A new, hybrid option for the standard range of System 5 consoles will be introduced at NAB 2006, letting an operator mix faders controlling multiple DAWs on the surface next to Euphonix DSP faders. — Eds.]
EXPANDED LOCAL CONTROL
The channel strip finishes with the Swap button that changes, either individually or globally, to a second layer with eight more audio sources. This feature effectively doubles the input channels of the CM408T.
Any track can be brought up on any of the 100mm faders and saved as a "Layout" and surround sources up to 7.1 are controlled from a single strip--always with the channel's TFT display showing that channel's output on up to eight meters. A four-character LED dual designation display shows track name while the TFT repeats the channel's status and name up to 14 characters long.
I liked, especially for mixing, the stereo LED input meter that runs along side, parallel to the fader to always indicate audio to that channel even if you have it muted. I also like that the aforementioned Wave key is available for every track fader to quickly "see" that track's status on the LCD screen at any time.
BRIDGING THE GAP
Prices: MC, $19,995; System 5-MC, priced depending on configuration.
Euphonix Inc., 650/855-0400, www.euphonix.com.
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