I tried the M80-SH in the same positions and applications as I would with a brand new Shure SM57. On snare drums I found it to have a clearer and more open sound that didn't compress as much as the Shure. I used the same amount of gain for each using the console's API mic pre-amps. The level of off-axis sound (leakage) from the kit's other drums and cymbals was about the same except the the M80-SH's off-axis sound was better. I tried M80-SH on rack toms and it reminded me of the Sennheiser MD-421U in many ways--it is less boomy and has more attack compared to a SM57 and seems already 'carved' (EQ'd)--I didn't feel I had to do any equalizing at all. I liked using the optional rim mount here--which you can't possibly use on the much larger and bulky 421!

The ever so slightly brighter sound of the M80-SH necessitated aiming it further way from the dust cap towards the outer diameter of the cone of a Tone Tubby Red 12-inch speaker in the guitarist's amp. Definitely a good alternate mic for this--with less low mid-range buildup and no need to "rethink" the guitar sound or production because of using it. It just sounded great!