Both channels have phantom powering facilities and both have their own volume, bass and treble controls. The amp uses a single, custom made, 8-inch woofer with coaxial tweeter (tweeter is concentric with the woofer) and 100-watts RMS power. Channel two is specifically designed for closed-miked acoustic instruments with the Shape on/off control for contouring the mid-range and a frequency adjustable (100 to 350Hz) 18dB notch filter for feedback suppression on stage.

The Master section has a Master volume control of your onboard mix of the two channels and a digital effects system with sixteen different effects that range from various chorus', flangers, rotary speakers, delays, room/halls, and combinations. There is a wet/dry control and an effects bypass footswitch jack on the back. Effects can be used on either channel separately or both at the same time using a three-way toggle switch.

Versatility continues with the power on/off LED indicating when the power amplifier has reach full power and the limiter has kicked in to prevent unwanted distortion automatically--great idea! I found the CP100 super clean and quiet and the build quality good and rugged. Other features of this 30-pound amp are: rear panel effects loop, XLR balanced direct recording out, 1/4-inch unbalanced output for feeding PA or driving a slave amp, and L/R Tape/CD RCA input jacks with level trim for playing drum machines or pre-recorded backing tracks through the amp.